If you searched “help me sell my music” and ended up here, you’re in the right place. We do the unglamorous part of getting music placed — researching the right libraries, supervisors, and labels and writing 100+ individually personalized pitches — on your behalf, for a flat fee starting at $79.
Most people who type “help me sell my music” into Google fall into one of five buckets. We built MoveMusic for all of them.
If none of these describe you, that’s ok — our free catalog assessment is a no-cost way to find out whether your tracks have the kind of sync demand that justifies an outreach campaign at all.
The single biggest reason music doesn’t get placed is not quality — it’s that the right buyers never hear it. Every sync library has a focus. Every music supervisor has a narrow brief. The cue that won’t move on Musicbed will sometimes get licensed in a week if you can put it in front of the three supervisors on earth who are scoring the exact kind of project it fits.
That’s the entire MoveMusic thesis. The work is finding those people and writing each of them an email that reads like it took an hour to write — because it did.
For every campaign, our AI does four things in order:
What we do not do: take a percentage of placement fees, lock you into representation, sign your masters, or guarantee a placement. The campaign is a flat fee, paid up front, and any deal that comes out of it belongs entirely to you.
Start with a free catalog assessment. We research your tracks, the libraries actively licensing similar work, and current sync demand — then tell you honestly whether a campaign makes sense. No card required.
Get My Free Assessment →Three tiers, three price points, all flat-fee. The right one depends on the size of your catalog, how broad you want the outreach, and how much follow-up you need.
AI catalog research and 25 individually personalized outreach emails to a tightly targeted list of libraries and supervisors. Best for emerging artists with 1-5 tracks where the per-pitch economics need to make sense.
Deeper research and 60-100 personalized outreach emails to libraries, supervisors, ad agencies, and label A&R worldwide. Our most-used tier. Best for catalogs of 5-30 tracks ready for placement.
Comprehensive research, 150+ individually personalized emails, and a structured 7-day and 21-day follow-up sequence. Best for deep catalogs, estate libraries, and projects that need international reach.
If during research we determine your catalog has limited sync viability, we tell you before any outreach goes out and refund in full. We’d rather lose the $149 than send 100 emails about tracks we don’t believe in — that’s how our deliverability stays high.
Honest expectations, written down so we can’t move the goalposts later.
We will not promise a placement. We will not promise a specific sync fee. We will not promise that any individual library signs you. The market decides those things, not us. What we control — and what we will deliver in writing — is the research quality, the buyer-list relevance, the personalization on every email, the deliverability, and an honest read on your catalog after the campaign closes.
These are the eight questions we hear most. Honest answers below.
There are really only three ways to monetize music in 2026, and you usually do all three at once. First, streaming royalties via DistroKid, TuneCore, or CD Baby — pennies per stream, but it’s table stakes. Second, sync licensing — placing tracks in film, TV, ads, games, and trailers. This is where most working composers actually make money. Third, direct catalog sales or work-for-hire deals with labels and publishers. MoveMusic focuses on path two: we research the right sync libraries, music supervisors, ad agencies, and label A&R, and send each of them an individually personalized pitch with your tracks attached.
The main destinations are sync libraries (Musicbed, Marmoset, Artlist, Audio Network, APM, Universal Production Music), production music networks, ad agencies with in-house music teams, music supervisors at film and TV studios, trailer houses, and game audio directors. Each one has narrow taste — Marmoset wants indie/cinematic, APM wants production-friendly cues, supervisors at A24 want different things than supervisors at Hallmark. Mass-submitting to all of them is how composers burn six months and get nothing. Targeted, personalized outreach to a curated list is how placements actually happen.
First, figure out what you have: registered works, masters ownership, publishing splits, existing royalty streams from PROs and SoundExchange. A catalog with documented royalty history is worth real money to a music investment fund or publisher; a catalog without paperwork is much harder. Step two is decide between an outright sale (catalog acquisition fund, publisher buyout) or ongoing licensing (keep ownership, license tracks for sync). For sync licensing of an inherited catalog, MoveMusic’s research-then-outreach process works well because legacy catalogs often have evergreen tracks that supervisors love and never knew existed.
Three flat-fee tiers, no commission. Starter is $79 — AI catalog research and 25 individually personalized outreach emails to a tightly targeted list of libraries and supervisors. Standard is $149 — deeper research and 60-100 emails across libraries, supervisors, ad agencies, and label A&R. Premium is $349 — comprehensive research, 150+ emails, plus follow-up sequences at day 7 and day 21. We do not take a cut of any sync fee or licensing deal you ultimately sign. You keep 100% of the placement income. If our research shows your catalog has limited sync viability, we tell you before sending and refund.
Often, yes — because most library rejections are about fit, not quality. Marmoset rejecting a track doesn’t mean APM will reject it; it usually means the cue didn’t match what Marmoset’s roster currently needs. We approach it differently: we research the supervisors and libraries whose recent placements actually look like your catalog, then pitch each one with a specific reason your music fits their roster. That said, we won’t take your money if the research shows no real demand. If your tracks have been pitched everywhere and rejected on substance — mix issues, dated production, cleared sample problems — we’ll tell you and not run the campaign.
We can’t guarantee a placement — anyone who guarantees one is selling something. Sync deals depend on what’s getting greenlit that quarter, what cues directors are searching for, and pure timing. What we do guarantee: the research quality, the email volume, the personalization (every email references the recipient’s recent placements and current roster gaps), and tracked delivery. If a campaign closes without a placement, we share the full response data — who opened, who replied, what cues they asked about — so you can adjust your catalog or re-run with a different angle. Many placements close 60-180 days after outreach, when a project lands that needs your sound.
Outreach itself is fast: research and a written catalog assessment in 24 hours, sample emails in 48-72 hours, full campaign sent over 5-10 days. The licensing cycle on the buyer side is much longer. A supervisor who likes your tracks today might license one 3-9 months from now when the right scene shows up. Sync libraries that take you on may not place a cue for 6-12 months. Plan on 30-90 days to get meaningful response data, 6-12 months for first placements, and 12-24 months for the catalog to season inside the libraries that pick you up. This is normal — it’s how the industry has always worked.
It depends on what you actually need. A traditional sync agent or pitch service is great if you have a catalog of 50+ broadcast-quality tracks and you want long-term representation; they’ll take 25-50% of placement fees in exchange for ongoing pitching and relationship management. MoveMusic is better if you have 1-30 tracks and you mostly need someone to do the targeted research and personalized outreach work upfront, without giving up perpetual revenue. Our Premium tier ($349) does in three days what a sync agent typically does over weeks. For a deep catalog that needs constant pitching, hire both: us for the cold-launch sprint, an agent for the long term.
Note on “help me move my music” / catalog migration: MoveMusic is not a catalog migration, distribution, or PRO-administration service. If you need to move masters between distributors or change PRO affiliation, that’s a different workflow. We focus exclusively on getting the right buyers — supervisors, libraries, agencies — to actually hear and license your work.
Submit your tracks below and we’ll research your catalog, build a targeted buyer list, and write personalized outreach emails on your behalf. Campaigns start at $79. If we can’t make a credible market case for your catalog, we’ll tell you before charging anything.
Start My Campaign →Part of the All Day Automations family